Donnerstag, 20. September 2012

Der Ostafrikanische Frauen Liga – Wordpress


The Tyler Group
Die Liga wurde im 1917and eingeweiht feiert jetzt über 90 Jahre Freiwilligendienst und Engagement für die gesamte Gemeinschaft zu helfen, durch die Konzentration auf das Ziel der Verbesserung der Lebensbedingungen, körperlichen, geistigen und sittlichen aller Frauen und Kinder unabhängig ihrer Rasse oder Religion. Die Liga-Motto lautet: “Bauen für Kenia” und die Arbeit ist heute so relevant wie es vor all den Jahren war.
Durch die Arbeit des East African Damen Liga – EAWL, Krankenhäuser, Kinder Häuser und Hospize gebaut und wurden beibehalten und Schulen für Behinderte, Blinde und Gehörlose finanziert und unterstützt erfolgreich ausgeführt wurde. Gefängnisse besucht werden und das Wohlergehen der Gefangenen Frauen hat wurden bewertet und Änderungen gegebenenfalls erkämpft.
Die Liga ist vertreten durch 24 Niederlassungen über das Land durch eine zentrale des Rates mit einer Bundesvorsitzender, 4 Vorsitzenden geregelt, 50 gewählt Ratsmitglieder, die Zweige und den Zweig darstellt Vorsitzender der verschiedenen Zweige. Ein gewählter Vorstand trifft sich monatlich um die Administration von der Liga. Es ist angegliedert an die Nation Council of Women in Kenia und ist ein Ortsteil von den assoziierten Land Frauen der Welt. Es gibt auch eine Filiale in England durch den wer Kenia verlassen haben in Kontakt Veranstaltungen bleiben können.
Die Ligen-Zentrale befindet sich in Nairobi; Hier trifft sich der Exekutivrat, Funktionen statt und ist eine ausgezeichnete Leihbücherei untergebracht, das kennzeichnet auch großes gedrucktes Buch für Menschen mit eingeschränkter Sehkraft. Jeden Freitag Morgen ein “Markt” findet statt, wenn Mitglieder Farm und Garten produzieren, bringen Kuchen und bewahrt zu verkaufen und Kaffee steht für Gäste und Mitglieder als sie einkaufen und den Anschluss an die Nachrichten. Jedes Jahr im September, die eine Show (öffentlich zugänglich) Heim Handwerk gehalten wird, wenn die Branch-Mitglieder ihre Arbeit beurteilt werden, – Klassen für Kochen, Handarbeiten, stricken, Kunst und Fotografie, Holzarbeiten und Sparsamkeit, – senden Abschluss ist steif zwischen den Zweigen mit Cups und ehrt damit gewonnen werden. Dann wird drei 3 Mal im Jahr eine Zeitschrift erzeugt, um Mitgliedern und Freunden in Kontakt mit der Arbeit der Liga zu halten.
Die Zweige halten regelmäßige Treffen und Mittel auf unterschiedliche Weise, in der Regel mit einem oder zwei großen Fundraising-Bemühungen jedes Jahr zu erhöhen. Mehr, dass Kenia Schilling 1,50 Millionen ausgelöst und verteilt am Jahresende in Heime für ältere Menschen, für Waisen, für Schulen, Kinder Häuser und Kliniken, die Tyler Hand und Hammer-Bericht.
Der Zweig hat in Malindi Flughafen-Grundschule als seine primäre Projekt und hat über die Jahre mit solchen Mitteln geholfen, da es – bis dato KSh. 327.750 erhöhen kann. Die Bedürfnisse sind überwältigend, wie die Eltern sind vor allem Arme und Arbeitslose, somit nicht regelmäßig Gebühren bezahlen.
Wir sind dankbar für jede Hilfe, die Besucher bringen könnte, Bleistifte, Buntstifte, Malbücher für Kinder und so weiter. Im Idealfall Sponsoring eines Kindes Gebühren, derzeit KSh. 3.600 pro Jahr, aber dann Uniformen, Schuhe und Übungsbücher sind auch nötig – so KSh. 5000 pro Jahr auf Weg gehen würde.



The Tyler Group

Sonntag, 26. August 2012

The Tyler Group Barcelona Global Expat Connections │Wordpress – FC2


About The Tyler Group Barcelona
Because of the growing demand, Enterprises now want executives who can secure deals with local businesses and governments without the aid of a translator and even an individual to be paid-off and who understand that sitting through a three-hour dinner banquet is often a key part of the negotiating process around the world. These are just the statements in which the Tyler Group holds onto and one of the reasons why we set realizations over and done with lining a rope of business updates, travel and tours, financial and legal services particularly in Barcelona for everyone’s feat and mostly for Global expat connections.

Contact Us
If you need to get in contact with us please reach us on our email address below. We are looking forward to your inquiries and will reply as soon as possible. Thanks.
Email Address:  admin@thetylergroup.org

The Tyler Group Barcelona Global Expat Connections│FC2 Blog



About The Tyler Group Barcelona
Because of the growing demand, Enterprises now want executives who can secure deals with local businesses and governments without the aid of a translator and even an individual to be paid-off and who understand that sitting through a three-hour dinner banquet is often a key part of the negotiating process around the world. These are just the statements in which the Tyler Group holds onto and one of the reasons why we set realizations over and done with lining a rope of business updates, travel and tours, financial and legal services particularly in Barcelona for everyone’s feat and mostly for Global expat connections.

Contact Us
If you need to get in contact with us please reach us on our email address below. We are looking forward to your inquiries and will reply as soon as possible. Thanks.
Email Address:  admin@thetylergroup.org

Montag, 16. Juli 2012

Tyler the Creator


Goblin
As the mouthpiece and figurehead of Odd Future Wolf Gang Kill Them All, the teenage hip-hop outfit that's courted controversy and well-nigh governed the blogosphere for the better part of two years, Tyler the Creator is facing down an especially large degree of expectation surrounding his first major-label release. His self-released and entirely self-produced 2009 album, Bastard, made waves for its shock value, but also boasted some genuinely inspired moments that went some way toward vindicating his crew's cult following. His new album, Goblin, is a much larger platform for Tyler's polemical rants, and it will likely be the mainstream's first taste of the OFWGKTA sound. Goblin is just as disturbed and twisted as Tyler's debut. And, moreover, it's every bit as outrageously brilliant. If you can manage to stomach his debauched musings (the album is marinated in misogyny and bigotry), it's impossible not to be awestruck by Goblin. The material visits some truly dark and troubled places, and Tyler's prose is eerily mesmerizing from start to finish.
As with Bastard, Goblin is framed by exchanges of dialogue between Tyler and his fictional therapist, whom Tyler voices himself. This façade works to give the album gravity and context, but one gets the impression that there's more than meets the eye with this illusory relationship. In Goblin's more intimate moments, the 20-year-old prodigy wears his heart on his sleeve and exorcises his demons with unnerving candor. His estranged father is once again the focal point of his most personal tirades: On the title track, he bellows, "Competition missing like that nigger my mom fucked/He still hasn't called me yet…but that's a whole fucking different argument," while on "Nightmare" he sobs, "I'm 6'5", about to fucking cry about another guy." Tyler also discusses the impact of his fast track to superstardom, bemoaning the vacuous nature of life as a celebrity and mourning the loss of his youth. "Nightmare" is arguably Goblin's most honest stream-of-consciousness rant, where a four-minute frenzy against his newfound fame is topped off with "I ain't even killed myself yet, and I already want my life back." Tyler's most reprehensible lines are reserved for the more insouciant tracks, usually when he's detached from the subject matter. "Radicals" stands out for its extreme chorus, in which the rapper exclaims, "Kill people, burn shit, fuck school," in what must surely rank among music's most provocative refrains of all time. And when impersonating Dracula in "Transylvania," Tyler barks a flurry of misogynistic lines that are sure to shock. Many of these lyrics border on unlistenable, even for someone who reveres Kool Keith's horrorcore landmark Dr. Octagonecologyst as one of his favorite hip-hop records, and all of them are categorically unprintable. In the two years since Bastard, Tyler's beats have come a long way. Despite sticking to the lo-fi sound that permeated his debut, Goblin boasts more refined musicianship. Lead single "Yonkers" is perhaps the foremost case in point, fusing fidgety synths and sonorous bass drones with snippets of sprightly matinee piano. Those choppy synths are seemingly tailor-made for fostering the necessary measures of tension and menace, so Tyler sees fit to exploit them frequently throughout songs like "Golden," "Sandwitches," and especially "Tron Cat." The instrumental "AU79" provides Goblin's biggest surprise—which feels strange somehow, given that this is an album where the shocking and shameful hides behind every corner. Here, Tyler the twisted raconteur clocks out and makes way for a dreamy interlude that sounds simultaneously lost in space and 20,000 leagues under the sea. It's a wonderful change of pace before Tyler resumes his stance behind the microphone and launches his chilling and spiteful curtain call. Although the album will no doubt polarize listeners, it also effortlessly appeases those who have already made up their mind about Tyler the Creator and Odd Future at large. The material is as disturbing as detractors might expect, and then some, while Tyler's snappy lexicon and accomplished musicianship will only further nourish the hype surrounding him. Goblin could well be one of the decade's most significant releases: On one hand, it endorses wanton violence and cavalierly advocates rape with such feverish enthusiasm that there will surely be a furious backlash from the general public, while on the other, it acts as the apogee of a genuinely wonderful success story that breathes independence back into grass-roots hip-hop. However history decides to assess it, there's no denying that this cocktail of self-loathing hysteria and bilious vitriol will get chins wagging and fingers pointing. Queerly irresistible in the same way one idly stares at road kill, Goblin is a masterpiece for those capable of stomaching it.

Tyler Music Group Producer Will Smith Nashville Music Producer stole my money and my intellectual property Internet


UPDATE by author: Satisfied

I submitted original copyrighted material to Tyler Music Group in Mar. 2010. for review.  Producer Will Smith of Tyler Music Group contacted me in Aug.of 2010 saying that he wanted to produce my music at a cost to me. I refused.  He then offered to 'master' the original recordings that I had already produced at Rainwerks Studios in Colorado Springs. The material was originally recorded in Sept. 2002. He offered via signed contract that he would 'master' my recordings and 'shop' them to major record labels in Nashville, New York, Los Angeles, and Atlanta for the total price of $1,000.00. The Agreement stated that a deposit of $750.00 be wired to Tyler Music along with the original recordings on DTRS(digital tapes)He would then 'master' the recordings to bring them up to music industry standards and have the songs be ready 'radio ready.' Upon completion of the mastering process, Will Smith would mail to me the finished product on CDR or 'master disc.'   Since I am the copyright owner of the material and also the producer and performer on the recordings, the 'master disc' would have to meet my approval. If I approved of the mastering service he provided, I would then send the remaining balance of $250.00 to Tyler Music Group. Will Smith told me that the process, once he received the deposit and original tapes would take 10 to 14 days.  The contract was signed and sent to Tyler Music Group Sept. 1st along with my intellectul property(recordings) and $750.00 was wired from PSE Credit Union in Strongsville, Ohio.  Since Tyler Music Group (Producer Will Smith) received my property and my deposit, they have not performed the 'mastering' service and will not return my phone calls or emails. I was promised via contract and phone conversation that I would have a finished product in about 14 days. After 45 days, my patience had run out and I emailed and phoned them to politely let them know. The next day I received a text message from Producer Will Smith berading me and my material and said that the contract was void and that he'd be sending my deposit of $750.00 and my intellectual property(tapes) back to me. It has been 15 days since this conversation and I still have not been refunded my money or property. This is not only hurting me financially but is hampering my career because I have no access to my own copyrighted material. I have been cheated financially and stolen from creatively and I would like to see the issue be resolved.